Latest News
Why the iconic English painting The Hay Wain by John Constable is not what it seems
John Constable’s The Hay Wain presents a bucolic view of England – but there’s a dark side to the idealised rural image.
Widely satirised and reproduced on everything from bath towels to biscuit tins, John Constable’s The Hay Wain (1821) is “the most celebrated and certainly quintessentially English landscape painting”, says Alice Rylance-Watson, assistant curator for the National Trust, discussing the Area of Outstanding Natural Beauty that inspired the painting. But this rural scene featuring a hay wagon fording a Suffolk millpond is, she says, “an idealised image”. In fact, the more we learn about The Hay Wain, the less we can trust its depiction of England.
Exploring the diverse meanings that artists past and present attach to the landscapes they depict was the subject of an exhibition at Bristol Museum & Art Gallery, National Treasures: Constable in Bristol − “Truth to Nature”, starring The Hay Wain. The iconic 6ft-wide oil painting, frequently voted one of Britain’s favourite artworks, was on loan from London’s National Gallery as part of the museum’s bicentenary celebrations in 2024. Now it has returned to the National Gallery, it is the focal point of Discover Constable & The Hay Wain, an exploration of the painting’s creation and different reactions to it, which opened in October.
There’s no doubt that Constable (1776-1837), who leaned more towards Romanticism than Realism, imbued his landscape with the sentimental attachment he had to it. He grew up just a mile from the whitewashed cottage to the left of the canvas, owned by tenant farmer Willy Lott, with its charming view over millpond and cornfields, and he rhapsodised about “the beauty of the surrounding scenery, its gentle declivities, its luxuriant meadow flats…”, writing: “I associate ‘my careless boyhood’ with all that lies on the banks of the Stour”.
International
Clampdown on fake Google reviews announced
Google has agreed to make “significant changes to its processes” to help tackle fake reviews of UK businesses, the regulator has announced.
The Competition and Markets Authority (CMA) says the firm – which accounts for 90% of search in the UK – will attach warnings to companies found to have artificially boosted their star rating.
The worst offenders will have their review function deactivated, meaning they cannot receive any new reviews.
Individuals who repeatedly post fake or misleading reviews will be banned from posting – regardless of where they are in the world.
Consumer group Which? called the changes “a step in the right direction” but said they would need to be backed up with strong enforcement action, potentially including “heavy fines” if Google failed to stick to them.
Entertainment
How an epic series on Asia’s wildlife was filmed
Filming the BBC’s landmark series Asia took its crew on a four-year-long odyssey from the open ocean to the “roof of the world”.
From frozen mountains to parched deserts, and lush tropical rainforest to vast grassland steppes – Asia is Earth’s largest continent and home to an incredible array of environments.
Perhaps because of that sheer size and variety, until last year the BBC had never devoted a wildlife series entirely to it. The vastness, the crowded megacities and the extreme diversity of environments makes it harder to encapsule in a handful of episodes.
The Natural History Unit’s landmark series Asia took four years to make. “Many parts of Asia are extremely remote, largely unknown, or frequently off-limits,” producer Matthew Wright says. “Its wildlife is less well-studied than that of Africa and the Americas, so we had fewer leads to go on when we started our research.”
“We started by scouring scientific papers, books, websites and social media looking for stories. We spoke to colleagues, conservationists and tour guides too. Once running orders were drawn up, we spent two years and over 2,500 days filming,” said Wright.
Entertainment
The far-reaching impacts of wildfire smoke – and how to protect yourself
The air we breathe can have profound effects on our physical and mental health. Is there any way of protecting yourself from this pervasive problem?
All but 1% of the world’s population is exposed to unhealthy air that exceeds World Health Organization (WHO) limits for pollutants. In parts of the world, air quality has rapidly improved through policies that aim to limit pollution. But elsewhere, gains in air quality are at risk of being lost.
More than 25% of the US population is exposed to air considered “unhealthy” by the Environmental Protection Agency (EPA), according to a report by the climate non-profit First Street Foundation. By 2050, the number of people exposed to “unhealthy” days is set to increase by more than half. The worst days of air pollution (“hazardous” or maroon, under the EPA’s system) are expected to rise by 27%.
Wildfire smoke is one of the factors driving this trend. One study of PM2.5 (see fact box: What is PM2.5?) from wildfire smoke found that levels had increased by up to five micrograms per cubic metre in the western US in the past decade – enough to reverse “decades of policy-driven improvements in overall air quality”, the authors concluded.
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