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‘It was a shock to many’: Matthew Bourne on his Swan Lake with male swans, the show that shook up the dance world
Celebrating the 30th anniversary of his legendary stage production, Matthew Bourne tells the BBC about the show that radically changed ballet with one “big idea”.
The most iconic dance costume of recent times may be a pair of white feathery breeches on permanent display at London’s V&A museum. They’re a tribute to choreographer Matthew Bourne’s gender-flipping dance version of the ballet Swan Lake. The production, which first premiered in London in November 1995, ruffled feathers in many ways because the swans, until then female roles, were played by male dancers. It went on to become the longest running full-length dance classic in the West End and on Broadway, winning both Olivier and Tony awards.
As the show celebrates its 30th anniversary with a 2024/25 tour, Matthew Bourne tells the BBC the story of the landmark production.
“I think most people thought that when they came to see it, they were going to see men in tutus,” says Matthew Bourne, of public expectations back in 1995.
The young, London-born choreographer, then aged 35, had been given the opportunity to stage his own version of Swan Lake at London’s Sadler’s Wells Theatre. It was a cherished dream for him, he says, “because I’ve always loved and identified with the story”. His big idea, he recalls, “was that all the swans would be male. Everything else about the production flowed from that one simple idea”.
I was called ‘the bad boy of the ballet’ – I’m not even from the ballet world – and ‘the Damien Hirst of Dance’ – Matthew Bourne
He explains that he found the meaning in the story through the character of the prince. “He’s constantly being told he needs to get married; his mother keeps pointing at the ring on her finger, which is ballet mime for ‘time to get married’. And he keeps saying, ‘no I’ll only get married for true love’. I always thought there was something else going on there. And that’s where the idea of male swans came from, from thinking about the prince himself. I think he’s obviously looking for something else.”
Bourne trained in dance before becoming a choreographer for television and theatre, and by the early 1990s, had form for putting his own spin on classical ballets. Like the cohort during that era known as the YBAs (Young British Artists) – which included Tracey Emin, Damien Hirst and Sarah Lucas – Bourne was seen as an agent of change in his sphere. He had critical success with his version of Tchaikovsky’s The Nutcracker, where the setting was a Victorian-style orphanage. In 1994, his version of La Sylphide (called Highl
International
Clampdown on fake Google reviews announced
Google has agreed to make “significant changes to its processes” to help tackle fake reviews of UK businesses, the regulator has announced.
The Competition and Markets Authority (CMA) says the firm – which accounts for 90% of search in the UK – will attach warnings to companies found to have artificially boosted their star rating.
The worst offenders will have their review function deactivated, meaning they cannot receive any new reviews.
Individuals who repeatedly post fake or misleading reviews will be banned from posting – regardless of where they are in the world.
Consumer group Which? called the changes “a step in the right direction” but said they would need to be backed up with strong enforcement action, potentially including “heavy fines” if Google failed to stick to them.
Entertainment
How an epic series on Asia’s wildlife was filmed
Filming the BBC’s landmark series Asia took its crew on a four-year-long odyssey from the open ocean to the “roof of the world”.
From frozen mountains to parched deserts, and lush tropical rainforest to vast grassland steppes – Asia is Earth’s largest continent and home to an incredible array of environments.
Perhaps because of that sheer size and variety, until last year the BBC had never devoted a wildlife series entirely to it. The vastness, the crowded megacities and the extreme diversity of environments makes it harder to encapsule in a handful of episodes.
The Natural History Unit’s landmark series Asia took four years to make. “Many parts of Asia are extremely remote, largely unknown, or frequently off-limits,” producer Matthew Wright says. “Its wildlife is less well-studied than that of Africa and the Americas, so we had fewer leads to go on when we started our research.”
“We started by scouring scientific papers, books, websites and social media looking for stories. We spoke to colleagues, conservationists and tour guides too. Once running orders were drawn up, we spent two years and over 2,500 days filming,” said Wright.
Entertainment
The far-reaching impacts of wildfire smoke – and how to protect yourself
The air we breathe can have profound effects on our physical and mental health. Is there any way of protecting yourself from this pervasive problem?
All but 1% of the world’s population is exposed to unhealthy air that exceeds World Health Organization (WHO) limits for pollutants. In parts of the world, air quality has rapidly improved through policies that aim to limit pollution. But elsewhere, gains in air quality are at risk of being lost.
More than 25% of the US population is exposed to air considered “unhealthy” by the Environmental Protection Agency (EPA), according to a report by the climate non-profit First Street Foundation. By 2050, the number of people exposed to “unhealthy” days is set to increase by more than half. The worst days of air pollution (“hazardous” or maroon, under the EPA’s system) are expected to rise by 27%.
Wildfire smoke is one of the factors driving this trend. One study of PM2.5 (see fact box: What is PM2.5?) from wildfire smoke found that levels had increased by up to five micrograms per cubic metre in the western US in the past decade – enough to reverse “decades of policy-driven improvements in overall air quality”, the authors concluded.
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