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Why ‘A Charlie Brown Christmas’ almost didn’t air — and why it endures

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It’s hard to imagine a holiday season without “A Charlie Brown Christmas.” The 1965 broadcast has become a staple — etched into traditions across generations like decorating the tree or sipping hot cocoa.

But this beloved TV special almost didn’t make it to air. CBS executives thought the 25-minute program was too slow, too serious and too different from the upbeat spectacles they imagined audiences wanted. A cartoon about a depressed kid seeking psychiatric advice? No laugh track? Humble, lo-fi animation? And was that a Bible verse? It seemed destined to fail — if not scrapped outright.

And yet, against all the odds, it became a classic. The program turned “Peanuts” from a popular comic strip into a multimedia empire — not because it was flashy or followed the rules, but because it was sincere.

As a business professor who has studied the “Peanuts” franchise, I see “A Charlie Brown Christmas” as a fascinating historical moment. It’s the true story of an unassuming comic strip character who crossed over into television and managed to voice hefty, thought-provoking ideas — without getting booted off the air.

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Fashion

What happens to celebrities’ outfits after a red carpet event?

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Every time a celebrity poses on a red carpet, countless cameras flash, forever immortalizing their outfit, preserving the hundreds or even thousands of hours it has taken to create.

Sunday night’s Golden Globes were no different, with Zendaya channeling old Hollywood glamor in a saffron Louis Vuitton gown, Angelina Jolie wearing a dazzling crystal chain McQueen dress and Tilda Swinton donning a custom embroidered Chanel jacket.

Online, such red carpet outfits have long afterlives as they are shared around social media, dissected by influencers and journalists alike. But the real-life fate of the garments themselves is less well-publicized. What happens to them after their moment of fame — where do they go and when are they seen again?

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What relaxation looks like in one of the world’s hardest working countries

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Outfitted with a large film camera and often dressed in athletic wear, Seoul-based photographer Kim Seunggu has spent almost 15 years capturing the essence of what he calls “leisure culture” — vacationing, poolside unwinding and communal gatherings — in contemporary South Korea.

The focus of his ongoing series, “Better Days,” is all the more striking in a country that ranks fourth globally for the longest working hours and where the phenomenon of “gwarosa” (death by overwork) is thought to claim numerous lives annually. In 2023, the South Korean government was forced to abandon plans to increase the maximum working week from 52 to 69 hours amid backlash from Millennial and Gen Z workers. The proposed move was intended to combat the nation’s labor shortage stemming from a declining birth rate and an aging population.

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Molly-Mae’s ‘raw’ new show and Liam Payne cinema tribute: What’s coming out this week?

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Have you been waiting for a chance to see Molly-Mae “as never before”?
If so, you’re in luck, as she’s starring in a new TV series which comes out on Friday.
But that’s not all this week has in store.
Some familiar singles will be aiming for a second shot at love in the Love Island villa, and One Direction’s film returns to cinemas in tribute to Liam Payne.
Elsewhere, Pope Francis will be taking on controversial topics in his new autobiography, and the late Mac Miller’s album Balloonerism will drop at last.
Read on for all of this week’s biggest releases…

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